Specification snapshot
| Feature | NothingProjector Matte White | Silver Ticket STR White |
|---|---|---|
| Gain | 1.3 peak gain | 1.1 |
| Aspect ratio | 16:9 | 16:9 |
| Sizes relevant here | 100″ / 120″ | 100″ / 110″ / 120″ / 135″ / 150″ and more |
| Viewing-angle claim | 170° | 160° half-gain cone |
| Backing | Not specified in the core spec table | Black-backed material |
| 3D | Merchant lists Active 3D support | Active 3D compatible |
| Frame | Aluminum alloy | Extruded aluminum with black velvet wrapping |
Gain trade-off
NothingProjector’s 1.3 figure is higher than the STR white screen’s 1.1 figure. Higher gain can help preserve on-axis brightness, but gain is only one variable. Uniformity, seating angle, projector output and room reflections matter too.
Size flexibility
Silver Ticket offers many more STR sizes. That can be valuable when your wall or seating dictates a diagonal such as 110″ or 135″. NothingProjector’s two-size approach is simpler when 100″ or 120″ already fits the plan.
Installation character
Silver Ticket describes a pocket-and-rod tensioning system and velvet-wrapped frame. NothingProjector emphasizes an aluminum fixed-frame build. Neither approach removes the need to measure wall width, level the frame and confirm projector geometry before installation.
A more direct UST comparison
If ultra-short throw compatibility is central to your decision, Silver Ticket’s S7 line is the cleaner comparison because the S7 product page explicitly lists long, short and UST projection compatibility.
